Look Mickey- 1961 |
In all honesty, Roy Lichtenstein is an inspirational man. By realizing the original artwork he was doing was going unnoticed, he radically changed his art in order to be noticed. With his artwork Look Mickey he did just that; get noticed. Taking a risk by using Benday dots as well as two popular Disney characters, created a work that would not be missed.
Comic Books, like books, evoke emotion because of what the reader/ viewer is looking at and witnessing, while reading what is being said. Going along with that, the picture above does the same thing; evoke feeling. Now, this picture might not be played out to see what happens next to the famous Donald Duck, but it still brings in a little giggle or two because of how it is depicted.
Lichtenstein was very nervous about how Look Mickey would be perceived by audiences and so he himself chuckled at the artwork. I mean who cannot relate to that, I can, when I am nervous, I try to laugh off the insecurities of what I am nervous about.
Trying to be radically different is very risky, especially when using two family/ children icons is very testing on the emotions. However, Roy Lichtenstein made a great leap of faith.
Source:
http://www.jstor.org.ezp.lib.cwu.edu/stable/3109436?seq=6&Search=yes&searchText=Look&searchText=Mickey&list=show&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%2528ca%253ALook%2BAND%2Bca%253AMickey%2529%26gw%3Djcp%26acc%3Don%26prq%3D%2528ca%253ALook%2BOR%2Bca%253AMickey%2529%26Search%3DSearch%26hp%3D25%26wc%3Don&prevSearch=&item=5&ttl=5&returnArticleService=showFullText&resultsServiceName=null
This type of piece is pretty significant from a historical perspective, because it is when Lichtenstein really first began to delve into his iconic style (with ben day dots and the word bubbles for characters).
ReplyDeleteAs you said, Lichtenstein was quite radical. This type of art challenges the conventional hierarchies for visual art. Is this supposed to be "high art" or "low art," given the subject matter and technique?
-Prof. Bowen
This is an interesting perspective on how radical artwork has slightly shifted by incorporating famous cartoons into their own pieces of art. I like how you elaborated a little bit more on the concept of pointillism and how these differ from those of popular comic book drawings. I would also be concerned about how the public would react to this piece, hah.
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